Happiness is a dry martini and a good woman... Or a bad woman.
- George Burns
About
We love helping our clients bring their story to life.
Plan-B Studio is a London-based design agency, founded in 2000 by Steve Price. I've been a designer for thirteen years and I still consider it a tremendous privilege.
I set up Plan-B Studio twelve years ago to provide flexibility in how I work, where I work and with whom I work with. It's not always easy, but is has provided some great collaborations with clients, peers, friends and students. They say that people invest in people, to me that simply means being human. Respect, courtesy, manners and enjoying the process. It's about spending as much time as necessary getting to know you and your business. Learning about how you and it all works. Taking time to look at the issues, consider the solutions, come up with the ideas and then develop the right solution. From identity to campaigns to creating a digital presence, brand development or product design; forming communications to connect the client to their customer. I do all this using two main ingredients; love and support. Love & Support are the two most important ingredients you can put in to everything you do. It's the two things I promise my son can always get from me and it is the two things I always put in to my work. As I tell my son Enzo, being creative is not about being able to draw, it is about seeing the world and finding solutions - that is creativity. Business is about nurturing a relationship to build confidence so when we create a brief with you, it comes from the heart, we make it reach the heart. It is that simple.
How do you present a three week discovery phase for a new web site project to a record label/artist management client in the US whose passion in life is music and making great art?
You write. You sketch. You think. You write some more. You source a company (on ebay, in the US) who sell blank white 7″ sleeves.
You layout each sections content as an insert like the lyrics of the track. You give each section titles like album tracks, and timecodes based on how long it takes you to read it. You add little sleeve notes ‘Lyrics by…’ (just for fun).
You get four A2 posters of your inspiration and vision printed and folded. You personally make each of the ten sleeves like your own demo vinyl using Letraset.
You package it all up in a plastic cover and Fed-Ex it to them and hope they love it half as much as you did making it.
That ladies and Gentlemen is #LoveandSupport.
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Myself and co-creator (the brains) Camilla Grey decided that V-day was the perfect day to launch our new publication, because who doesn’t love a Cant Understand New Technology on their doormat on Valentines Day morning?
There is no Twitter feed, no Tumblr, no Facebook group. You can follow the conversations by using the hashtag #cantunderstandnewtechnology across Twitter, Instagram and even Vine.
What is Can’t Understand New Technology?
It’s the first new publication by and for the London creative industry since we all joined Twitter.
Why will Can’t Understand New Technology be launched as a hard copy?
Because we can understand new technology and it’s ironic.
Who is behind Can’t Understand New Technology?
A brand strategist (Camilla Grey) and myself, Steve Price.
Who are the contributors?
Senior creative and strategic leads from across London’s best- known creative agencies.
What’s in it?
A potent mix of opinion, gossip, agony advice, serious discussion and ranting. Plus illustrations.
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I was invited back to the Academy of Art and Design in Bergen where I'm an accredited Associate Professor.
I spent six fantastic weeks with twenty-two brilliant, motivated, engaging Visual Communication students. Their task was to create a new identity for a 'destination'.
Along side the project, we had guest speakers and workshops to help provide further insight and diverse opinions.
These are four of the six groups work. I would include them all but I'm still waiting for two groups to send me their work!
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loropiana.com
unit9 the award winning creative production company hired Steve Price as Interactive and Project Director on this Flash built. interactive, e-commerce web site which included a web-based mobile app site and a fullt integrated, e-commerce app.
Loro Piana is an Italian luxry lifestyle brand based in Milan, with stores all over the world and a range of high quality clothing products and interiors. This project included a huge team of supremely talented people across three continents for eighteen months with an executive producer, creative director (Steve Price), animation director, three project managers, design director, Flash developers in London and Italy, iOS5 app developers, illustrators in Italy, photographers, animators in Brazil as well as motion and 3D designers.
My role was to work with the senior management team at unit9 to source, commission, direct, manage and co-ordinate the entire team, budget and overall project.
Deliverables:
Web site/Mobile site
Appl/Android app
E-commerce store
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I was invited to give a talk at this years Silicon Beach 2012 in Bournemouth. Turns out I was the closing speaker following some immense talent. I've included my talk here plus my notes so that it maybe makes some sense.
No pressure then given my laptop recognise the projector, the presentation I did show (off another laptop) didn't have the right font and I was starting with sixty seconds of silence. No pressure at all.
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The brief was simple - develop a new identity and brand for a new business called Entity Partnerships; a regeneration development company and strong beliefs in sustainable regeneration through partnerships in the industry.
The result was an identity that has no need to shout, instead it was designed to be more friendly, personable and reflect the values of the business - it's network and connectivity.
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secerna.co.uk
The patent and trademark sector is probably one of the oldest and most traditional in law. What better challenge to undertake than be approached by a new, fresh-faced partnership looking to break the mould?
Plan-B Studio designed and developed the logo, stationery, corporate literature, as well as a rather brilliant (even though we say this ourselves) CMS built web site.
Deliverables:
Logo
Stationery
Corporate literature
CMS powered website
Mobile visible site
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The Olympics is happening in London, you might have heard about it? Ravensbourne's new building is situated right next to the O2 (formerly 'The Dome') and at the heart of Olympic activity.
To promote the opportunity to rent their building Ravensbourne commissioned Plan-B Studio to design a special promotional pack highlighting the key features of the building. This came in the form of eight postcards printed on recycled board (designed to let interested parties send them back) in a self-folding envelope to save on postage and unnecessary packaging.
Deliverables:
Marketing literature
Promotional pack
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The Outside Organisation is a PR, communications agency who work with music, talent, corporate, television, sports and lifestyle brands, making sure they are heard and seen in all the right places.
Plan-B Studio designed and developed a radical overhaul of their logo, corporate literature, marketing materials as well as a new, simplified, CMS built web site.
Deliverables:
Logo
Stationery
Corporate literature
Marketing comms
CMS powered website
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congregationpartners.com
Congregation partners is a company providing consultancy to the digital industry all over the world.
Plan-B Studio was approached to help develop their logo and web site along with templates for all of their internal and marketing communications.
Deliverables:
Logo
Brand identity kit
Marketing and internal comms literature
CMS powered website
The Shop at Bluebird is every fashionistas mecca. Based on Londons Kings Road it's location is only overshadowed by the plethora and quality of curated stock that is sourced and passionately sold from informed employees throughout the store.
Plan-B Studio has been working with the store for four years now. Commissioned originally to develop their web site, CRM marketing strategy and print/event comms. We are currently developing the next edition of their web site
As part of Project10 I designed a poster highlighting a common indication of Autism. My aim; to print and sell the posters and donate the proceeds to charity.
I spoke to my good friend Paul at Generation Press, who kindly offered to donate their time and experience to producing 100 beautifully silkscreened prints on paper donated by GF Smith.
All the proceeds went towards helping a six year old boy with autism called Jack Armstrong, a neighbour of fellow designer Lucy Brown. It has also featured in the 100project.co.uk
500 x 700mm, white silkscreen on 175gsm GFSmith Colorplan (Bright Red). Thanks to GFSmith for donating the paper.
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Joy of Living
London Design Guide writer, all-round design guru and bloody good guy Max Fraser approached me to work with him on this wonderful initiative and event for Maggies trust.
Max sent out a sheet of blue squared paper to over 100 designers. Their task, to do what they liked with it but so that it could be sold to raise money for the Maggies trust. I brought on board the supremely talented Matt Booth to utilise his skills and engine to make a very simple site that allowed Max to update the gallery on his site directly from his Flickr account.
The night raised in excess of £30,000
Deliverables:
Gallery web
CMS solution
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To celebrate Plan-B Studio's tenth anniversary I decided not just to have a big party, but to donate time to doing something good, every month.
Project10 was originally an initiative to donate time to create ten projects in ten months, but has since become a good reason to donate time every day, week, month and year to other projects outside the commercial realm. In 2012 it was the start of an epic journey which lead to some inspiring collaborations with some incredible people, such as Generation Press, GFSmith Papers, Max Fraser, Matt Booth, Matthew Knight, Lucy Brown, Badger, Nicky Gibson and Garrick Webster, not to mention the contributors to our quarterly newspaper we produced to help keep abreast of all the great work.
Deliverables:
Quarterly Project10 newspaper
A poster for jack
Mor Mor identity
Annual report for LRCN Charity
Sundt window displays
Joy of Living web site with Max Fraser
The ACE Club
Memories canvas
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Friends of the Earth wanted to take their message and appeal to a younger, more youthful audience, and invited me to develop a new magazine.
I came up with the name 'friend,' with a comma as a punctuation mark to separate the name from the content but also to make the title feel like it was addressing you personally. Over the course of four years we produced sixteen issues. Some adopting the original format of A5, others came as 8 cards bound with a wrap, another an A2 folded poster. It made a huge difference and their circulation grew exponentially over the four years and encouraged a more diverse age group to become interested and participate with many of their other campaigns, including The Big Ask.
Deliverables:
Design art direction for a quarterly, 16page magazine
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Friend of the Earth is a charity aimed at creating a more beautiful world, a good life and a more positive relationship with the environment in general. It does this through various campaigns and events, some of which we were fortunate to work on with them.
Including The Big Ask; a campaign informing and encouraging the general public to lobby their MP's. Still their most successful campaign ever and we designed everything from the logo, to the manifesto, the banners, the t-shirts - you name it!
Also 'Friend,' a quarterly magazine aimed at a more youth orientated market. We designed and art directed sixteen issues, each one different.
Deliverables:
Campaign strategy, branding and marketing
Campaign logo
Campaign literature
Quarterly Magazine
Marketing literature
Brand development and evolution strategy
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I was enlisted to re-design the web site for Arising Artist. Their old site was a mish-mash of heavy colours, too much text an tired repetative layout and design.
I stepped in a stripped the whole site back. I minimised the use of colour, but made the colours much flatter and brighter.
I encourage more space and less text. Simple and easy navigation. Concise and clear copy that was easier on the eye.
Creating a clear, but strict grid enables a much easier level of consistency and usability, along ith restricted colour palette and easier to read copy.
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DUMs 2007 direction was a beautiful abstract using a series of bold, brash colours, set against a dirty, black background decorated with a host of hybrid-animals.
The fanzine is a particular favourite of mine as it resembled much more of a real two colour print fanzine. As the festival grew in popularity and press so too did the subsequent pieces of promotional literature, the TV titles and award show animations.
Deliverables:
48pp fanzine
Posters
Press adverts
Online adverts
Web site graphics/design
TV title sequence
Award show TV interstitials
Stage set graphics/design
Oh, and a T-shirt (or 2000)
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Doctor, Doctor! BURP…
Sat in the departures area of Florence Airport yesterday I struck up a conversation with two fellow travellers. Two medical students from New York, but who quietly admitted they studied in Philidephia.
We got to talking and soon I was informed that their annual student fee was $75,000. That’s right. Seventy-five thousand dollars every year, and for four years. So before you spit your drink about your £9,000 a year here in the UK imagine leaving with a minimum of £300,000 debt instead of £36,000. I found this out after I told them that University fees in the UK are capped at £9,000 a year, which was met with the usualy gasps of disbelief and envy from our American cousins.
American graduate schooling has always being expensive, we know this. ‘It’s just a business really’ one of the students exclaimed. ‘You go, you agree (blindly) to pay over all this money and you just do it, no-one questions it, we just do it. Year after year.’ She resigned. What do you get for $75,000, besides the course – I mean is there any perks? Free weekends in Vegas? Use of the schools private jet? Penthouse dorm room? I asked.
Nothing. Zip. Now’t. Nada. Seventy-five thousand, plus you have to pay $1,000 for each exam paper – which goes to the various governing boards, of which each paper is assigned a different one. Obviously. Incredible, no? ‘But medicine is regarded as the most likely course for you to gain employment and be able to pay your loans back.’ Reported the other student. A reason to study medicine then? I asked. Yeah, came the reply. I guess people are always dying, I replied.
‘Many students are really struggling, and it’s a big problem in the States. You get lots of people now leaving University with no job, so they go get any job to pay their way and regardless of what you earn you have to start paying back your loan at the same rate as if you were gainfully employed as soon as you leave. So if your waitressing you’re going to fallback on payments, and if you fall back you’ll wind-up defaulting and that has huge implications of any future loans or mortgages you might need.’
Not a pretty picture, is it? And you guys thought Nick Clegg was Satan. Well actually he probably is because this is where we are heading, sooner or later. Why? Because as the student rightly pointed out, University there and certainly here in the UK is a business. Each school is in a fierce competition with everyone else. When given the choice nearly 60% of all Universities in England opted to charge the maximum £9,000 annual fee (source: www.bbc.co.uk/news). Like petrol these costs will only ever go up. This does not include the amount UK Universities receive for overseas students, the fees for which are two, often three (or more) times the amounta UK resident will pay.
When I studied my BA Graphic Design degree at Nottingham Trent University our course had 110 students on it. Not in totality, just in our year in-take. It was rediculous to say the least. By the end of the third year there were nearer 94 students who graduated. Whilst there I met lots of students from other courses all happily taking part in the whole experience of student life, which I would recommend to anybody, including my son. Even then it struck me just how many students were there that perhaps really ought not to have been there. This is going to sound politically incorrect but stick with me.
There were a lot of people who really didn’t care or have any inclination to invest themselves in the course they’d taken. Indeed many it seemed had chosen their topic rather by random selection as apposed to having a burning desire to be a ‘Business man/woman’ or surveyor. I lost count the amount of times you’d ask ‘How many lectures do you have a week?’ (i.e. how many days are they required to attend the University) and you’d often get a shrug, or a ’2 hours!’ reply. On my course you were required to be in every day, and more often than not I was (as were many of us), particular from the second year onwards.
Everyone who wants to should have the right to go to University, that much we can all agree on. But with more and more attending year on year the value of that experience is high, but the value of the degree itself (remember, the reason you went there) is being completely under-valued.
Last year 2.5million students graduated (source: hesa.ac.uk) in to an ever shrinking economy. But a growing number, a further 500,000+ were post-graduates, which has grown year on year steadily at around 7% (last year was the first decline in four years). Which tells us that more and more people are staying on or going back to do MA, MBA, MSc or even PhD.
This is in-line with lots of discussions I’ve had recently with students and various institutions over the years. More and more places are actively encouraging to the point of disuading students from leaving after a BA because their degree will be practically ‘unrecognised’. In other words, worthless. So has the MA/MBA/MSc become the new BA? I have an MA in Communication Design from Central Saint Martins and a BA with First Class honours – but I chose to do an MA because I wanted a bit more time to study, not because my BA was worthless.
However the risk is there for us all to see. If a BA is no longer the marker for us to use and an MA is, what next? When that rate of UK post-grads rises from half a million to 1.5million and the MA sinks in to the quick sand of worthless recognition, then what? Will a PhD will be the only route left? Only if you desire a professorial position.
Where is the ceiling for this gauge? Where does it end? I imagine the education authorities will start to descale the BA to more of a ‘foundation’ degree (like the HND was considered), or like A/S A levels (what ever they were), and thus make MA degrees bolt-ons. Is there another solution?
It suddenly struck me whilst talking to the two medical students that perhaps there might be a better way for our American cousins’ education authorities to view their study programmes and astronomical fees – and indeed the UK too. Benefits Related Performance or BRP (which reads in my head as BURP!) could be introduced. Sort the wheat from the chaff, so-to-speak.
‘So if you do really well with your grades on your course do you get better loan offers? Or perhaps better rates of interest on your repayments?’ I asked innocently to the two med students. No, but that would make sense they both replied, almost in unison.
Here in the UK you only start paying back the fees dependent on your level of income (in the US they start paying back regardless of income). However wouldn’t it make more sense to place the focus on the students and their achievements? You work hard you get rewarded. Don’t work hard, don’t get rewarded. Of course this will favour the smartest, but nothing will change that. It will also not punish those who are less smart – you just pay what you were paying anyway, but improve, work hard, apply yourself and you will be rewarded. Better rates of repayments, get a first in your BA and get a six month repayment holiday, or a discount off your repayments? This will further sort the ones who are their to down cheap shots and catch STDs from the those who are able to down cheap shots but still make it in to work and perform. Ultimately it will encourage students (and the universities) to raise their game, which raises standards of the individual, the University and the nation as a whole. It won’t address the devaluation of a BA but it will give some benefits to students who will benefit from working hard.
I’ve often said it’s not ‘business, it’s personnel’, regardless of your profession it is just about people (or persons), and about getting the most out of each other. If this going to University is a business, and it is, let’s start applying some measures of performance and reward those who work (and play) hard.
University is a fantastic experience that every young person has the right to experience. It teaches you about life and independence. About people and places and alcohol and drugs and socialising and other passions like the course you chose to study (wink). But that experience should not come at the cost of a life post-graduation where upon many are financially crippled. The emphasis has to be on working (and playing) hard and receiving benefits for that – a system the banking sector could actually to with incorporating. I mean properly.
Much has already been written and commented on Marissa Meyers decision to order everyone back to working at the office (Guardian: Yahoo chief bans working from home). The fact the internal memo titled ‘PROPRIETARY AND CONFIDENTIAL INFORMATION – DO NOT FORWARD’ was leaked from its own HR department (and more employees besides) to news channels was hardly surprising.
I was contacted by a few people to comment given that I’ve been very vocal (albeit in tiny circles) about my distain for work environments and mentalities. My first reaction to this news story was ‘This calls for a blog post.’ Yeah! That’ll show ‘em. Another blog post from someone else with 2¢ worth to chip in to an already tired subject.
Since taking over as CEO and then announcing her preganancy I’ve been curious about Ms Meyers approach. As one of the most public CEO appointments of 2012 I was hoping she might use the opportunity of her preganancy as a firm stand to promote the need for better maternity leave, but instead she made a firm stance against it by taking just two weeks stating “I won’t be the working moms poster girl.” Fair enough, if I’d just taken over as CEO of a giant I might feel the burden of wanting to take the reigns quickly and firmly too.
Then last week came the message “to become the absolute best place to work, communication and collaboration will be important, so we need to be working side-by-side. That is why it is critical that we are all present in our offices.” Although I’ve yet to read anywehre the fine print – it doesn’t say 8 hours a day, 5 days a week, so perhaps there is still ‘flexi-time’. They’re not alone, Bank of America has done a similar thing in recent months.
Yahoo argued in the memo, “some of the best decisions and insights come from hallway and cafeteria discussions, meeting new people and impromptu team meetings.” Which as Prerna Gupta notes in her NY Times article (NY Times: Why Five Days in the Office Is Too Many), ‘That is certainly true. But it is also the case that some of the most creative insights come only when you give the human brain unstructured time to think.’ Prerna goes on to describe how her place of work simple requires everyone to spend a minimum of three days a week for five hours a day starting from noon in the office.
It is certainly true that having people in one place is an enabler for conversations, interactions, accidental collaborations and ideas to spawn. Studies have proven that people who work from home are more productive, but less innovative. “If you want innovation, then you need interaction,” says John Sullivan, a professor of management at San Francisco State University (source: NY Times, Yahoo Orders Home Workers Back to the Office). I can definitely relate to this on a personal level, but then the secret is not to work in your PJs in your bedroom for 12hours either. I also believe in common sense. Not everyone always uses it, but set the right parameters and often people will surprise you.
Most of us are perfectly capable human beings and treated as such should be given the respect, and the responsibility, to manage their own schedules and complete their work on their own time, from wherever they choose. The challenge is to balance productivity with innovation (from interaction), and also to learn to let go and allow that productivity to come from home.
It’s a bit like parenting. Be strict, or wrap them in cotton wool or let them run free – the nurturing will shape the attitude and the reactions. I’m somewhere in the middle. I say that as someone who has in the past four years reduced his own company like a chef making a fine meaty, wine jus reduction; I no longer have a studio, direct employees or even a desk. Instead a host of locations, a network of freelance people, two laptops and a wifi connection. So I accept that I am in a far simpler position to be agile and fleixble than a giant like Yahoo.
As a single parent the value I place on being flexible is priceless. Parenting my son means I lead with a firm hand but I am relaxed about most things because I treat my son like human being with respect and most of all Love and Support. Not a commodity or a trophy. I spend time with him, real time – not just ticking boxes but actually sitting and drawing with him, playing lego, writing, reading, playing football, swimming, you name it. I hope I give him enough responsibility and freedom in life so that he makes his own interpretations and understandings, and when he over-steps or does something wrong we talk about it, sometimes I change my tone so he knows I’m upset and ever so often I raise the volume. But the time we spend together, the time we invest in each other means we have a much richer relationship and a mutual respect for one another. I Use a similar approach to people I work with. Regardless of how big your firm is – people invest in people; so invest in your own, more often.
The irony is that Yahoo is a firm, who they themselves have created actual technology that makes it possible for us to communicate and work from any/everywhere and yet have taken steps to reign in their net back to the trawler. Ms Meyers stance on being a CEO and not a ‘working mom poster pin-up’ means she is also recalling working parents, single moms and dads who will have to now change their lives to return to what should be a dying post-industrialisation mentality of ‘bums-in-seats’ in office equals work.
There is a balancing act and there is no easy solution to this live/work balance. Companies like 37Signals, Semco (Brazil), Smule and Khush (and many others) who actively seek to find that balance with three or four day working weeks and flexi-time I commend you whole-heartedly. There is real value in those coffee maker, water cooler conversations, but equally in time for people to be able to think clearly and not on the ‘pretend’ lounge area disguised as ‘not working’ when clearly it really is.
Ultimately this decision by Yahoo is a bold and brave decision, hopefully not taken lightly and perhaps (for them at the moment) necessary. I suspect to better assess and cull any excess they might be carrying. It will make a great deal of their employees reconsider their jobs, and maybe even jump ship – plenty of competitors to likely snap them up. Overall I hope it works for Ms Meyer, but ultimately if the details do turn out to be more ‘bums in seats’ mentality (8hrs/5days a week) it saddens me and I wish them good luck retaining that talent for too much longer.
How do you present a three week discovery phase for a new web site project to a record label/artist management client in the US whose passion in life is music and making great art?
You write. You sketch. You think. You write some more. You source a company (on ebay, in the US) who sell blank white 7″ sleeves.
You layout each sections content as an insert like the lyrics of the track. You give each section titles like album tracks, and timecodes based on how long it takes you to read it. You add little sleeve notes ‘Lyrics by…’ (just for fun).
You get four A2 posters of your inspiration and vision printed and folded. You personally make each of the ten sleeves like your own demo vinyl using Letraset.
You package it all up in a plastic cover and Fed-Ex it to them and hope they love it half as much as you did making it.
That ladies and Gentlemen is #LoveandSupport.
#WIP #Ramseur #Letraset #PlanBStudio
P.s you then also send them a PDF to share with their team.
Imagine I come to your desk, or knock on the door of your house or call you with a question. What do you do? You answer don’t you? Whether it is a family member, friend, someone asking for charity donations or homeless person selling the Big Issue I always try to make eye contact and give them an answer. Why?
Because that’s being human. It might not be the answer they need or like, but it is at least an answer which means both parties can go on their way.
I’m growing increasingly tired of having emails from people asking me for work, placement or experience. It’s not the first email that frustrates me, it is the second one; the one they are replying to my email saying thank-you. Not because I’ve been able to enlist them but because I’ve bothered to even email them back at all. This happens EVERY time.
My inbox is similar to yours, and we’re all varying degrees of ‘busy’, but if you don’t make the time to acknowledge and reply to these people that’s your choice but remember. Remember what it was like. Ok, some of you might have been über talented and never had to go looking for work, lucky you.This isn’t just about looking for work, it is waiting for anything that you are pinning hopes on. Remember how it frustrating it feels not hearing the answer either-way? Remembered? Good, now start replying to these people, put them out of their misery one way or another, please.
With few exceptions advertising agencies don’t make adverts, production companies make adverts. Ad agencies come up with the ideas and the execution is done by the production team, usually hired in.
Advertising agencies (rarely) make digital campaigns – you know those all-too-often-bolted-on-but-getting-better-at-including-digital-earlier campaigns. No, digital production companies make those. There are more and more of them and some are especially good at it – Media Monks, Unit9, Rehabstudio, etc.
But for those that don’t know, digital production (for the most part) is an incipid environment. I’ve written about this before, suffice to say that generally it’s not the people that are insipid, it’s the nature of the beast. The intense pressure, the deadlines, the media-buyers who often dictate the deadlines, the changes, the bugs, the fixes, the Q&A, the client, the producer, the bugs, the fixes… etc.
I’m sure if my lofty aspirations were to ever be realised and we all just had more time we would probably still fuck it up, but needless to say I haven’t been apart of that industry for a year. I’m definitely poorer, but richer in spirit and health. Bully for me, yeah. I know, twat.
But there is a change happening. Can you smell it too? No, not that… I’m talking about a wind change, a shift that happened and continues to happen. It started a year or so ago. Shush, are your ready? Clients are doing it for themselves.
The likes of Apple and Google have been doing it for years, Facebook too and fashion brands like Burberry raised the bar and took much of their core work in-house; outsourcing some and managing other projects internally. They realised early on that in order to maintain control their has to be control maintained, starting with in-house. Core teams were established and have grown. I often joked that I was the only man in Shoreditch not to work with Nokia, at one point it seemed everyone was and all at the same time. Look what happened to them.
Other companies are following – TV stations have been doing it slowly, and some reaping the rewards, namely those that manage to balance change with agility. Now Intel, the worlds biggest supplier of silicon chips are entering the TV market with their own ‘start-up’ called Intel Media, with a team of some two hundred people working towards that common goal with three golden rules, as set out by their new VP Executive Global Lord Emporer (Master Waterfall).
More fashion brands, technology companies and sportswear brands are following suit. Nike has already taken all of its social media marketing in-house (Marketing Week: Nike takes social media in-house). Even M&S are trying their hand with their own Digital Lab.
Advertising agencies (big and small) have tried, like their music industry (giant) cousins to adapt and, like those same giant cousins, thought that the key to success was simple: aquisition. Just buy them up and swallow them inside the big machine and all will be fine. But advertising agencies have tried and all-too-often failed in complete meltdown. Why?
Well why are the major record labels still in such dire straits, along with lots of electronics companies – Panasonic, Sharp, Sony, etc? One word: agility. The digital arena is not for the faint-hearted. Technology is advancing, rapidly. It is fast moving, fast paced, hard fucking core uproar, blow your whistle and dance to the beat monkey or get out of my effing studio. It’s both brilliant and bracing, fantastic and fraught, exciting and exhausting. If you can’t move with it, and keep up (forget being ahead) then don’t. Just stop. It is to the two thousand and tennies(?) what stockbroking was to the 80s. Crips, blackened and charred remains stuck to keyboards and smartphones expected.
Advertising agencies are their own worst enemy. They, like the big record labels, are big, slow, cumbersome creatures that like things a certain way. They are slow to adopt (if at all) change, and despair at those who do. Oh many boast the opposite, but I’ve been in and around enough of them (and this is by no means a dig at the amazing talent that helps make those big creatures move) to know that ‘traditional’ oftens riles against digital. I’ve experienced this on several occasions first hand and until that changes the ad industry will keep shooting itself in the foot or rather getting stuck in the mud and eventually sink and die. Long live the client.
The client has all the money. The client is the one willing to invest. The client is the one who is starting to wise up to the game that’s being played here, and big agencies should be scared. It is no surprise that this cross-over is happening and the very good are being sucked over to the Client-Side. This could ineffect be the tipping point of the industry.
So some words of support if you are unhappy, it’s not you it is the industry. A solution? Get out. Run, run to the clients – if you are good at what you do you are valuable to them. I am fairly sure you’ll never look back, apart from when you’re the one hiring those agencies. Just imagine how sweet that day will be.